Jerome Rogers is introduced: twelve years old, South Side Chicago, navigating school, family, and the daily pressures of survival in his neighborhood. The chapter establishes his voice, his relationships, and the ordinary texture of his life before everything changes.

Jerome finds a toy gun and plays with it on the street. Officer Moore arrives, misreads the situation, and shoots Jerome. The scene is rendered with painful brevity — the shooting itself takes less than a paragraph.

Jerome wakes up dead. He discovers the rules of his ghosthood: he can observe the living, he cannot touch them, he cannot be heard. He watches his family's first hours of grief.

Jerome meets Emmett Till in the ghost world. Emmett is steady, calm, and older in the way that sixty years of being dead makes you older. He begins to explain to Jerome what he is now and what they share.

Sarah Moore — the white daughter of the officer who shot Jerome — begins to appear in the narrative. She learns what her father has done, and she starts asking questions that her world doesn't want her to ask.

Emmett shows Jerome the full line of Black boys and men who have been killed before them — not just historical figures but ordinary people whose names have been forgotten. The chapter is the novel's most direct engagement with systemic racism and historical pattern.

Sarah visits Jerome's school and begins to form a tentative friendship with his former classmates. Jerome watches, unable to intervene, as Sarah begins to understand what she didn't know and what she was part of.

Jerome and Emmett come to the end of their shared time. Emmett tells Jerome what he has learned from sixty years of watching. Jerome and Sarah come as close as they ever will to understanding each other across the divide. The novel does not offer resolution, but it offers testimony.