The Canterbury Tales
Geoffrey Chaucer (1400)
“A drunken, bawdy, razor-sharp portrait of every social class in 14th-century England — told by the classes themselves.”
About Geoffrey Chaucer
Geoffrey Chaucer (c. 1343-1400) was not a professional writer but a civil servant, diplomat, and customs controller who wrote on the side. Born into a prosperous wine-merchant family, he served as a page in a royal household, fought in the Hundred Years' War (where he was captured and ransomed), traveled to Italy on diplomatic missions (where he encountered Boccaccio, Petrarch, and Dante), managed the customs house at the Port of London, and served as a justice of the peace and Member of Parliament. He knew every social class in England firsthand — from the royal court to the docks — and the Canterbury Tales draws on all of it. He was the most worldly English writer before Shakespeare.
Life → Text Connections
How Geoffrey Chaucer's real experiences shaped specific elements of The Canterbury Tales.
Chaucer served as a customs controller at the Port of London for twelve years, interacting daily with merchants, shipmen, and tradespeople
The Merchant, Shipman, and tradesman portraits in the General Prologue show precise knowledge of commercial practices, debts, and trade routes
Chaucer didn't observe the middle class from above — he worked alongside them. His commercial portraits have the specificity of an insider, not a satirist sketching from a distance.
Diplomatic missions to Italy in 1372-73 and 1378 exposed Chaucer to Boccaccio's Decameron, Petrarch's works, and Dante's Divine Comedy
The Knight's Tale adapts Boccaccio's Teseida; the Clerk's Tale comes from Petrarch's Latin version of Boccaccio's Griselda; the frame narrative echoes the Decameron
Chaucer imported Italian literary sophistication into English — then surpassed his sources. He took Boccaccio's frame narrative and added what Boccaccio lacked: individuated voices for each teller.
Chaucer knew the royal court intimately — his wife Philippa served the queen, his sister-in-law Katherine Swynford was John of Gaunt's mistress (later wife)
The portraits of aristocratic and religious corruption reflect direct observation of power, not theoretical critique
Chaucer's satire of the Church, the nobility, and the legal system comes from a man who knew these institutions personally. He mocks what he has seen, not what he imagines.
Chaucer was accused of 'raptus' (either rape or abduction) of Cecily Chaumpaigne in 1380 — the legal record is ambiguous and the case was settled out of court
The Wife of Bath's Tale begins with a knight who rapes a woman; several tales explore sexual violence and coercion
The biographical shadow is real and unresolvable. Some scholars read the Canterbury Tales' persistent engagement with sexual power as Chaucer working through his own history. Others resist biographical readings. The ambiguity remains.
Chaucer wrote in English when French and Latin were the prestige languages of literature and law
The Canterbury Tales gives voice to every social class in their own linguistic register — English becomes a literary language through the act of representing all of English society
The choice of language IS the political statement. By writing in English, Chaucer declared that the language of common people could carry the weight of great literature. He invented the tradition that Shakespeare inherited.
Historical Era
14th-century England — the Hundred Years' War, the Black Death, the Peasants' Revolt, and the crisis of the medieval Church
How the Era Shapes the Book
The Black Death transformed English society more than any event since the Norman Conquest. With half the population dead, surviving laborers could demand higher wages, serfs could flee to better lords, and the rigid feudal hierarchy cracked. The Canterbury Tales captures a society in flux: a knight rides alongside a miller, a wife of Bath commands attention that her gender and class shouldn't allow, a pardoner openly mocks the Church. The Peasants' Revolt of 1381 — which Chaucer witnessed when rebels invaded London — proved that the lower orders could organize and fight. The General Prologue's reference to Jack Straw in the Nun's Priest's Tale is not casual — Chaucer lived through the moment when social order nearly collapsed. The Church's corruption (Monk, Friar, Pardoner, Summoner) reflects real institutional decay: the Great Schism had two popes excommunicating each other, and pardoners selling indulgences were a genuine and widely despised phenomenon. Chaucer's satire is not invention — it is observation.