The One and Only Ivan
Katherine Applegate (2012)
“Based on the true story of a gorilla who spent 27 years in a shopping mall, told in his own quiet, devastating voice.”
About Katherine Applegate
Katherine Applegate (born 1956) is best known for the Animorphs series, which she co-wrote with her husband Michael Grant under the name K.A. Applegate. The One and Only Ivan was inspired by the true story of Ivan, a western lowland gorilla who lived at the B&I Shopping Center in Tacoma, Washington from 1964 to 1994. Applegate learned about Ivan's story and was moved by the gap between what humans saw (a tourist attraction) and what Ivan experienced (isolation). The novel won the 2013 Newbery Medal.
Life → Text Connections
How Katherine Applegate's real experiences shaped specific elements of The One and Only Ivan.
Applegate spent years writing Animorphs, which explored the experience of inhabiting animal bodies and minds
Ivan's first-person narration, which imagines gorilla consciousness without fully anthropomorphizing it
Applegate's career-long interest in animal perspective gave her the tools to write a voice that feels authentically nonhuman.
The real Ivan lived at the B&I Shopping Center for 27 years before public protest led to his transfer to Zoo Atlanta
The novel's plot follows the real timeline closely — decades of captivity ended by public awareness and activism
The true story gives the novel moral authority. Applegate is not imagining animal suffering; she is documenting it.
Applegate has spoken about visiting Zoo Atlanta and seeing the real Ivan's paintings, which were sold as fundraisers
Ivan's art is central to the plot — both as self-expression and as the mechanism of his liberation
The real Ivan did paint, and the real paintings were real objects that people valued, raising questions about animal consciousness and creativity.
Historical Era
Contemporary America — roadside attractions, animal welfare movement, media activism
How the Era Shapes the Book
The novel captures a transitional moment in American attitudes toward captive animals. The roadside zoo and mall attraction represent an older model of animal display — entertainment-driven, profit-motivated, indifferent to animal welfare. The public protest that frees Ivan represents the newer model — rights-based, empathy-driven, media-amplified. Applegate positions the reader on the side of the transition without preaching.