Do Androids Dream of Electric Sheep?
Philip K. Dick (1968)
“A bounty hunter who kills androids for a living begins to wonder if he is one — and whether the question even matters.”
About Philip K. Dick
Philip Kindred Dick (1928-1982) lived in poverty for most of his writing life, publishing dozens of novels and stories in science fiction pulp magazines at rates that barely sustained him. He struggled with mental illness, paranoia, and what he later described as a theophany or divine revelation in 1974 (which he spent the rest of his life trying to understand in an 8,000-page document called the Exegesis). He was married five times, lived with amphetamine use during his most productive years, and died of a stroke at 53 — weeks before the release of the Blade Runner adaptation of this novel. He was deeply preoccupied with the question of what makes humans human, having lost a twin sister at birth and having never recovered from the absence.
Life → Text Connections
How Philip K. Dick's real experiences shaped specific elements of Do Androids Dream of Electric Sheep?.
Dick's twin sister Jane died six weeks after birth; he carried the loss his entire life and spoke about her frequently
The androids and their human doubles — Pris and Rachael sharing a face — and Isidore's grief for beings who were not quite present
Dick's central obsession is absence disguised as presence. The electric animal, the android, the fraudulent religion are all versions of something that looks like what you need but is not quite it.
Dick lived in paranoid poverty, believing his phones were tapped and his work was under surveillance; his 1974 breakdown included visions he believed were divine
The second police station that doesn't officially exist; Mercer appearing in the wasteland; reality as a system that can be revealed as manufactured
Dick's paranoid epistemology is not pathology in his fiction — it is argument. The institutions in his novels really are compromised. The visions are real even if the figures in them are not.
Dick was writing in 1966-1967, during the Vietnam War, the acceleration of nuclear testing, and the mass mechanization of violence
World War Terminus as backdrop; the bureaucratic language of 'retirement' for killing; the valley of ash and kipple as post-industrial waste
The novel's most immediate historical referent is not Nazis (though Dick drew on Holocaust research) but Vietnam — a war conducted in euphemism, with institutional language severed from moral reality.
Dick researched the Nuremberg trials and Nazi documentation for the novel; the androids who lack empathy for their victims paralleled what he read about bureaucratic mass killers
The Voigt-Kampff test as the novel's moral instrument; the phrase 'I was just doing my job' as the horror beneath Rick's professionalism
Dick explicitly said he was asking: how do you identify the kind of person who could participate in the Holocaust? His answer: by their absence of empathy for other species, extended outward.
Historical Era
Late 1960s America — Vietnam, civil rights, nuclear anxiety, counter-culture
How the Era Shapes the Book
Dick wrote the novel at a moment when the American government was using institutional language to conduct a war that many citizens believed was morally catastrophic. The 'retirement' euphemism maps directly onto this. The civil rights movement had just won legal battles over who counted as a full person — Dick extends this question to androids in a way that was impossible to miss in 1968. The novel is an allegory for every society that has ever created a legal category of non-person and assigned professionals to manage them.