The Importance of Being Earnest cover

The Importance of Being Earnest

Oscar Wilde (1895)

A comedy so perfect it makes Victorian society look ridiculous simply by letting it speak for itself.

EraVictorian
Pages80
Difficulty★★☆☆☆ Moderate
AP Appearances9

Why This Book Matters

The Importance of Being Earnest is considered the finest English-language comedy of manners and one of the most perfectly constructed plays in the language. It was immediately successful in 1895 but was closed after Wilde's arrest. Revived after his death, it became a permanent fixture of the theatrical repertoire. Unlike almost everything else from the 1890s, it has not aged: the epigrams are still funny, the satire still accurate, and the plot still generates genuine laughter.

Firsts & Innovations

The first major English play to explicitly satirize Victorian respectability from within — using its own conventions as weapons

Widely credited with introducing the modern epigram as a theatrical device — the compressed, reversible witticism that comments on what it describes

One of the first comedies to present female characters who are as verbally adept and strategically intelligent as the men — Gwendolen and Cecily are not victims of wit but practitioners of it

Cultural Impact

The phrase 'Bunburying' entered the language as a term for any elaborate excuse for avoiding obligations

Performed continuously in professional and amateur theatre worldwide since 1900 — one of the most-produced plays in English

Adapted for film multiple times, most notably the 1952 version with Michael Redgrave and the 2002 version with Colin Firth and Rupert Everett

Lady Bracknell's 'a handbag?' is one of the most quoted lines in English theatrical history — performed by, among others, Judi Dench, Maggie Smith, and Brian Bedford

The play's title has become shorthand for any argument about the gap between virtue and the performance of virtue

Banned & Challenged

Not formally banned, but the play was closed mid-run when Wilde was arrested in 1895, and was not revived until after his death. The circumstances of its closure — a prosecution for homosexuality — give the play's comedy about double lives a particular weight that contemporary audiences could not have missed.