A Clockwork Orange cover

A Clockwork Orange

Anthony Burgess (1962)

A novel that forces you to learn the language of violence — then asks whether the state has any right to take it away.

EraPostmodern / Dystopian
Pages192
Difficulty★★★★ Advanced
AP Appearances4

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Thematic connections across eras and genres — books that talk to each other.

Nineteen Eighty-Four

George Orwell

Connection

The other great British dystopia about state control of interiority — but Orwell's state succeeds where Burgess's fails, making their arguments about human nature fundamentally opposed

Connection

Conditioning as social engineering — Huxley's citizens are conditioned from birth to love their servitude, a softer but equally total version of the Ludovico Technique

Connection

Another novel about a brilliant young man who commits terrible violence and must find redemption — but Dostoevsky's Raskolnikov chooses repentance where Alex has repentance forced upon him

Connection

Published the same year (1962) — another novel about institutional control over the individual mind, with lobotomy replacing the Ludovico Technique as the instrument of state power

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A morally opaque narrator who commits violence without conventional motivation — Meursault and Alex both refuse to perform the remorse society demands

Connection

State control of the body as political instrument — Atwood extends Burgess's argument about bodily autonomy into gendered territory