King Lear
William Shakespeare (1606)
“A king gives away everything and discovers, too late, that power was all he was — and that the children who flattered him were never his children at all.”
About William Shakespeare
William Shakespeare (1564-1616) wrote King Lear around 1605-1606, during the reign of James I, who had commissioned a play from Shakespeare's company (now called the King's Men). Shakespeare was at the peak of his powers — writing Macbeth, Othello, and Lear within a few years of each other. He was in his early forties. His own father had died in 1601. He had seen successful men lose everything. His company performed regularly at the Globe Theatre, which he co-owned, as well as at court. Lear was performed before James I on December 26, 1606 (Boxing Day). The King's Men were also, literally, the King's servants.
Life → Text Connections
How William Shakespeare's real experiences shaped specific elements of King Lear.
Shakespeare's father John Shakespeare was a prominent alderman in Stratford who later fell into financial difficulty and obscurity
Lear's fall from power — a great man unmade by circumstance and bad decisions, looking to children to restore what's been lost
The fear of parental decline and the anguish of watching it was personal. Lear is not an abstract king.
The play was written for James I, who was deeply interested in witchcraft, kingship, and the divine right of kings — themes of James's own Daemonologie
The storm as divine judgment, the repeated questions about whether gods exist and whether they care, the chaos released by a king's abdication
James I was fascinated by questions of legitimate authority. Lear's abdication — handing away the sacred office of kingship — would have been politically incendiary to a king who believed his authority was God-given.
Shakespeare drew on two sources: the anonymous True Chronicle History of King Leir (1605) and Sir Philip Sidney's Arcadia for the Gloucester plot
Both sources give Cordelia a happy ending. Shakespeare removed it.
The decision to kill Cordelia is Shakespeare's own — and the most radical choice in his canon. He took a redemption story and made it a tragedy of cosmic injustice.
Historical Era
Jacobean England (1603-1625) — early reign of James I, post-Elizabethan transition
How the Era Shapes the Book
Lear's division of his kingdom would have been politically alarming to Jacobean audiences who had just seen Scotland and England united under one king. The Gunpowder Plot (1605) had made the specter of political chaos and betrayal immediate. The visible poverty of displaced agricultural workers — 'Poor Tom's' on every London street — gave the heath scenes specific social resonance. And the question of legitimate versus illegitimate authority (Edmund's entire plot) was live in a court built on contested succession.