As I Lay Dying cover

As I Lay Dying

William Faulkner (1930)

Fifteen voices. One corpse. A nine-day journey through flood and fire to bury a woman her family may not have loved.

EraModernist / Southern Gothic
Pages267
Difficulty★★★★ Advanced
AP Appearances9

About William Faulkner

William Cuthbert Faulkner (1897-1962) was born in New Albany, Mississippi, and raised in Oxford — the seat of Lafayette County, which he reimagined as Yoknapatawpha County in his fiction. He dropped out of the University of Mississippi, worked odd jobs, briefly served in the Canadian Royal Air Force (WWI ended before he saw combat), and returned to Oxford. He spent much of his career in financial difficulty, writing for Hollywood to pay bills. As I Lay Dying was written in six weeks during night shifts at a power plant, on an upturned wheelbarrow, in 1929. He described the process: 'I set out deliberately to write a tour-de-force. I had made up the story and did not know it would be difficult until I began to write it.' He won the Nobel Prize in 1949, largely on the strength of European rediscovery of his work.

Life → Text Connections

How William Faulkner's real experiences shaped specific elements of As I Lay Dying.

Real Life

Faulkner grew up in the Mississippi hill country among poor farm families; his great-grandfather was a Civil War colonel, but the family had fallen from its antebellum prominence

In the Text

The Bundrens' poverty and pride — they are not without dignity, but they have nothing. The Southern class system in miniature.

Why It Matters

Faulkner understood the particular combination of pride and deprivation that characterized poor white Mississippi. The Bundrens are not caricatures — they are people he grew up around.

Real Life

Faulkner wrote the novel in six weeks during night-shift work at a power plant — the most compressed creative period of any major American novel

In the Text

The novel's formal ambition — 15 narrators, 59 chapters — achieved without sprawl. The compression of the writing is in the compression of the form.

Why It Matters

The novel's intensity is partly the intensity of a writer working at full capacity under pressure. The power plant story is also a story about working-class creative life — genius operating in the margins.

Real Life

Faulkner's Yoknapatawpha County is a fictional version of Lafayette County, Mississippi — the same geography, history, and social structure reimagined

In the Text

The specificity of the landscape — the roads, the river crossing, the valley, the town — reflects a writer who knew this land in his body

Why It Matters

The physical journey in the novel is geographically real — based on actual roads Faulkner knew. The flood and the terrain are the terrain of his childhood.

Historical Era

Rural Mississippi, late 1920s — post-Reconstruction South, Great Depression threshold

Great Depression (began 1929, the year the novel was written) — rural poverty already catastrophic before the crash, the Bundrens' situation representing millionsPost-Reconstruction South — sharecropping, poll taxes, Jim Crow — the social structure within which the Bundrens' poverty is lockedGreat Mississippi Flood of 1927 — the novel's river crossing reflects a landscape where floods were genuinely lethal events, not metaphorical onesInstitutionalization practices — state asylums were used as repositories for the inconvenient as much as the genuinely illSouthern Modernism — Faulkner, writing simultaneously with Woolf and Joyce, adapted European stream-of-consciousness to the American South

How the Era Shapes the Book

The Bundrens' poverty is not metaphorical — it is the poverty of actual Mississippi farm families in the years just before the Depression ground them further. The family cannot afford the doctor who could properly set Cash's leg. The money Anse extracts from his children is the only money any of them have. The asylum at Jackson — to which Darl is sent — was Mississippi's actual institution for the mentally ill, used as Faulkner depicts it. The journey is absurd partly because poverty makes it expensive in ways Anse cannot account for and refuses to acknowledge.