The Giver cover

The Giver

Lois Lowry (1993)

A society without pain is also a society without color, music, love, or the right to choose — and one boy is forced to carry all of it alone.

EraContemporary / Dystopian Fiction
Pages179
Difficulty☆☆☆☆ Accessible
AP Appearances3

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Thematic connections across eras and genres — books that talk to each other.

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The definitive dystopia — Newspeak is precision of language taken to its endpoint; both novels argue that language control is thought control

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Pharmaceutical management of desire and happiness-through-design; Huxley's soma is The Giver's Stirrings pill scaled up to an entire civilization

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The direct literary descendant — Collins has cited The Giver as a primary influence; both use a young protagonist to expose a society's violence beneath its official story

The Ones Who Walk Away from Omelas

Ursula K. Le Guin

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The same ethical question in short story form: is a society's happiness legitimate if it rests on one person's suffering? Jonas is one of the ones who walks away.

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The companion novel set in the same world — explores a different community's form of control through a girl who can see colors others cannot

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Another novel about the relationship between intelligence, memory, and identity — what we gain and lose when our capacity for perception is altered